Program Details
We're elated to launch our third mentorship cohort which offers emerging filmmakers an opportunity to build relationships and develop their skill set alongside seasoned professionals.
The Black Film Space Mentorship Program will pair 10 mentees with 10 mentors from June 23rd to December 12th, 2025.
Mentees will have (6) 45 minute meetings with their mentor during the program to discuss their work, develop their projects, and careers as it pertains to their short and long term goals.
Mentors will give one round of feedback on the mentees work over the course of the program.
Each mentee will also have one-on-one, 30-minute meetings with the other nine participants throughout the program on a bi-weekly basis.
Mentees are selected based on: Quality of prior work, project goals, personal statement, career objectives and virtual interviews. Mentees must work towards a short term goal over the course of the program.
We are looking for mentees who are committed to developing their craft. Mentees are matched with mentors based on their expertise.
You must be a Black Film Space Member to apply.
Before applying, read our mentors full biographies and review the frequently asked questions below.
Applications Open: Monday, April 21st
Virtual Application Orientation: Monday, April 28th - 8 to 9 PM ET | Watch the replay below
Application Deadline: Wednesday, May 14th - 11:59 PM ET
Finalist Interviews: Mid June
Mentee Orientation: Monday, June 23rd, 9pm ET
Program Begins: Tuesday, June 24th
Program Ends: Friday, December 12th
Log into our membership portal to fill out the application.
Questions? E-mail us at mentorship@blackfilmspace.com
2025 Mentors
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Lauren Banks
Actor
("Jennie Reeves" in Paramount+’s Lawmen: Bass Reeves and "Siobhan Quays" in Showtime’s City On A Hill)
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Cliff Charles
Director of Photography
(Season 5 of CBS’s The Equalizer , Season 1 & 2 of Apple TV +’s Swagger)
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Mike Cooke
Branded Content Director & Cinematographer
(Director of brand spots for Google, State Farm and Walmart.)
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Traci Curry
Documentary Filmmaker, Showrunner, Producer & Writer
(Hulu’s Searching For Soul Food, ESPN+’s Vick, Showtimes’s Attica)
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Naimah Jabali-Nash
Documentary Filmmaker
(Director & Producer of Hulu’s The 1619 Project
Producer, of Netlfix’s Crack: Cocaine, Corruption, Conspiracy)
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Shantira Jackson
Screenwriter/TV Producer
(Producer on Amazon Prime’s Clean Slate, Co-Producer on Netflix’s Big Mouth)
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Angela Latimer
Editor
(Season 3 of The CW’s All American Homecoming, Season 2 of Apple TV +’s Swagger, Season 1 of Netflix’s Forever)
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Mamoudou n'diaye
Screenwriter
(Writer on Hulu’s How To Die Alone, ABC’s Queens, and Netflix’s Space Force)
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Dallas Rico
Screenwriter
(Staff Writer on Hulu’s Reasonable Doubt)
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Monica Sorelle
Screenwriter/Director
(Co-Writer & Director of the indepdent feature film Mountains, which was awarded Special Jury Mention for U.S. Narrative Feature competition at Tribeca).
MENTOR BIOS
Click the mentors name below to read their full bio. Be sure to note the ideal mentee description. We strongly recommend that your background, past work, and application reflects what we are looking for in an ideal mentee.
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Lauren E. Banks is a professional actor, writer, director and producer, though more simply put: Lauren is a storyteller.
Most recently, Banks’ work captured global audiences in Paramount+’s hit TV series LAWMEN: BASS REEVES, where she played the young matriarch, Jennie Reeves. The show quickly became the most watched series premiere across Paramount+ and CBS with over 28 million households tuning-in worldwide. Lauren’s performance was said to have been played with "warmth and great feeling” by the New York Times.
Banks can also be seen starring opposite Kevin Bacon as the ambitious young attorney and community activist “Siobhan Quays” in all three seasons of Showtime’s Boston crime drama CITY ON A HILL.
A native of Durham, North Carolina, Lauren is a graduate of the historic Hillside High School and has been recognized by Durham Public Schools in their DPS Notable’s Series for her advocacy of arts education.
While attending Howard University, Lauren founded Camp Usanii in her hometown to mentor middle school and high school students via acting, dance, music, creative writing and visual art.
To date, dozens of graduates of Camp Usanii have since matriculated through top theater programs across the country and into the profession, turning their dreams into tangible realities.
In 2017, Lauren completed her classical training and graduated from the Yale School of Drama with a Masters Degree in Acting, and was awarded Yale’s Carol Finch Dye Award for actors, whose previous recipients include Frances McDormand and Meryl Streep.
By 2020, Lauren founded the multi-media production company, Visionary Village. She has produced and/or directed multiple internationally acclaimed independent projects and live events under the banner, stimulating film production in Los Angeles, New York and Durham, North Carolina.
In the fall of 2024, Banks made her Off-Broadway debut as the lead in Katori Hall’s THE BLOOD QUILT at Lincoln Center. Other work credits include the anthology series ROAR (Apple), GASLIT (STARZ), MANIAC (Netflix) and THE DUTCHMAN (2025), an American thriller film directed by Andre Gaines, based on the ‘64 play of the same name by playwright & poet Amiri Baraka.
Ideal Mentee: An actor who wants to break into television or film. We are looking for individuals who are primarily actors.
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Cliff Charles seeks to create images that resonate through a wide range of projects from award winning documentaries to scripted series. With 2 Emmy Nominations for Outstanding Cinematography on When the Levees Broke and If God Is Willing And Da Creek Don’t Rise for Spike Lee, Cliff continues to lens documentaries including Welcome to Rap City, Baltimore Rising, Who Killed Malcolm X, Venus and Serena, A Ballerina’s Tale and Chris Rock's Good Hair. His work in scripted include the indie features Planet Brooklyn, Big Words, the Spirit Award nominated film, Jellysmoke as well as Shottas, a Jamaican Gangster film turned cult classic. His series work includes 2 seasons of Marvel’s Cloak and Dagger, Shots Fired, Flatbush Misdemeanors, seasons 1 and 2 of Swagger and the most recent season of The Equalizer. His commercial credits include spots and promos for ESPN, HBO, the NBA, Converse, and State Farm, along with music videos for artists like Mos Def, Wale and Wyclef Jean.
Born and raised in Brooklyn, NY, Cliff loved movies but the possibility of entering this field never felt tangible until Spike Lee came on the scene. Upon earning a BA with a dual major in Film and TV/Radio production from Brooklyn College, he pursued and landed a spot as a Lighting intern on Spike Lee’s Clockers and spent the next few years working in lighting while simultaneously building his DP reel.
With 30 years of experience, Cliff Charles continues to lend his talents to a host of creatively diverse and challenging projects.
Ideal Mentee: An emerging Director of Photography who fully understands the role. Directors need not apply.
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Michael Cooke is an award-winning director and cinematographer from Atlanta, Georgia, with a career that spans genres, mediums, and continents. From music videos to narrative film, from global campaigns to festival circuits, Michael has spent nearly two decades crafting stories that center family, legacy, and the unseen systems—fate, politics, capitalism—that shape our lives. He began his career as a Director of Photography, lensing music videos for some of hip-hop’s biggest names. That visual foundation evolved into commercial work for major brands like Apple, American Express, and Walmart, before his passion for storytelling led him into narrative filmmaking. Michael’s directorial debut, Across the Tracks, won multiple international awards, including Best Diaspora Short at the African Movie Academy Awards. His recent project Freeman Hospitality—a sci-fi drama set in 2055 that rings eerily close to our current events—and Yogurt Raisin, a layered story about friendship and over-policing, continue his commitment to socially resonant storytelling with cinematic depth. Now, as one of the most respected emerging voices in independent film, Michael is passionate about giving back. As a mentor, he’s here to offer clarity, real-world knowledge, and creative insight to the next generation of filmmakers—those navigating a constantly shifting industry and searching for stories that matter.
Ideal Mentee: A Director/Producer or Cinematographer with an entrepreneurial mindset looking to break into branded content.
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Traci A. Curry is an Academy Award-nominated filmmaker, producer, showrunner, and writer of powerful stories. She has spent more than two decades creating compelling, in-depth narratives for multi-media platforms across both long- and short-form. Most recently, Traci spent 18 months directing National Geographic’s upcoming five-part documentary series Hurricane Katrina: Race Against Time. This meticulously researched series culls thousands of hours of archival footage, combined with first-person accounts, to bring revelatory insight into the causes and consequences of Hurricane Katrina two decades later.
Traci, alongside Stanley Nelson, co-directed ATTICA, a Showtime documentary which received an Academy Award Nomination for Best Documentary Feature in 2022. Traci also served as Producer on ATTICA, which premiered opening night at the 2021 Toronto International Film Festival. The documentary revisited the largest prison uprising in U.S. history and the brutality of state violence on the 50th anniversary of the tragedy. The documentary was selected for the 2021 DOC NYC feature film shortlist, earned three 2022 Critics Choice Awards nominations, including for Best Documentary Feature and Best Director; the 2022 Ridenhour Documentary Film Prize; the 2022 Award for Social Justice from the African American Film Critics Association (AAFCA); and was nominated for an NAACP Image Award for Outstanding Documentary.
In 2023, Traci served as showrunner of Onyx Collective’s Emmy-nominated eight-part documentary series Searching For Soul Food. The series chronicles iconic Black chef Alisa Reynolds as she explores the origin stories of soul food around the world. Previously, Traci worked as producer on the 2020 ESPN “30 for 30” documentary VICK, a comprehensive look back at each chapter of the rise, fall, and polarizing return of the standout former Philadelphia Eagles quarterback, Michael Vick. She also served as producer of BOSS: The Black Experience in Business, which aired on PBS and revealed the untold story of African-American entrepreneurship. Her broad experience also includes serving as a producer for several national cable news shows, and her work has been featured across a variety of networks, including PBS, ESPN, MSNBC, BET, HGTV, TV One, CNN, and ABC. Traci is the founder and owner of her production company, B.Free Media, named to honor her hero, pioneering journalist Ida B. Wells and her newspaper, The Memphis Free Speech, which was burned in 1892 following Wells’ groundbreaking exposé of lynching in the South. A resident of Brooklyn, New York, Traci received a master’s degree from the University of California, Berkeley School of Journalism, and a bachelor’s degree in communications from the University of Pennsylvania.
Ideal Mentee: A documentary filmmaker looking to break into the independent scene. A filmmaker who will be in production between June and December 2025.
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Naimah Jabali-Nash is a Director and Producer whose work has earned her six Emmy Awards, five PGA Awards, two Peabody Awards and a Critics Choice Documentary Award. After working on HBO’s critically acclaimed news magazine show, Real Sports with Bryant Gumbel, Jabali-Nash decided it was time to challenge herself as a storyteller and ventured into the world of long-form documentary filmmaking. She collaborated with renowned director, Stanley Nelson, as a Producer on Netflix’s Crack: Cocaine, Corruption, Conspiracy, which was selected as a 2022 duPont-Columbia Award finalist.
She served as a Director and Producer on the six-part Hulu documentary series, The 1619 Project based on the Pulitzer-Prize winning journalism of Nikole Hannah-Jones. Jabali-Nash won an Emmy Award and a Critics Choice Documentary Award in 2023 for her contribution to the series. She is dedicated to telling stories that give marginalized groups a platform to be seen and heard in hopes that the work makes people feel less alone. She thrives off collaboration and loves making "dope things with dope people," which is why she created Fearless Minds Productions to fearlessly push the boundaries of storytelling with other creatives.
Ideal Mentee: A documentary producer/director who wants to break into the independent scene.
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Shantira Jackson is an Emmy nominated writer, producer and comedian based in Los Angeles. She has written for Big Mouth, The Amber Ruffin Show, and Clean Slate. She was most recently a writer on CBS's late night show After Midnight.
Ideal Mentee: A comedy screenwriter looking to break into late night comedy, sitcoms or adult animation.
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Angela Latimer, an African American editor based in Los Angeles. Angela grew up in Chicago, Illinois. She holds a Bachelor of Arts degree in Art and Science from Chicago State University. Her introduction to filmmaking occurred during her undergraduate studies. Following her B.A., Angela pursued freelance editing opportunities in Chicago. Her exceptional ability to craft compelling narratives that resonate with diverse audiences led her to the American Film Institute’s editing program in the heart of Hollywood in Los Angeles.
Angela earned her Master of Fine Arts in Editing from the American Film Institute, further honing her editing expertise. Her career began as an Assistant Editor, and her dedication and proficiency in editing have opened doors to diverse projects. Angela has served as an Editor for notable series such as NBC Peacock’s Bel-Air, Apple’s Swagger, and Freeform’s Grown-ish. Additionally, she is an alumnus of ACE’s diversity mentorship program.
Angela’s recent credits include her role as an Editor for the CW series All American Homecoming and the Netflix series Forever.
Ideal Mentee: An editor looking to break into scripted television.
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Mamoudou N’Diaye is a Muslim Mauritanian and Malian-American comedian, writer, director, DJ, and educator.
N’Diaye’s been a correspondent for digital media companies, a consultant for countless social justice nonprofits, and a recipient of two Sundance fellowships (in 2020 for TV and 2022 for features), a Film Independent fellowship (in 2021), and a winner of the inaugural Yes And Laughter Lab (in 2019).
N’Diaye has written for Hulu’s dramedy How To Die Alone, Apple TV+’s animated kid’s show Shape Island, Netflix’s comedy Space Force, ABC’s drama Queens, and has a feature in development with Lionsgate.
Whether it’s layered comedies or self-examining speculative fictions, N’Diaye chases projects that are authentic above all else, deal in the exchange of intercultural narratives, and ultimately allows him to follow his curiosity and leave the ego behind.
Alumni of The College of Wooster, with a degree in Neuroscience, currently an adjunct professor at NYU in the Department of Dramatic Writing.
Ideal Mentee: A comedy or dramedy screenwriter looking to break into TV or features.
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Dallas Rico is originally from — you guessed it — Dallas, TX. The cowboy hats he wears every day probably give it away. He spent several years as a high school Spanish teacher in Los Angeles and New York City while honing his voice as a writer. His work nimbly moves between comedy and drama, and through it, he seeks to celebrate Black, queer, and cowboy culture. A self-proclaimed hopeFUL romantic, love stories naturally sneak into everything he writes. Dallas sold his pilot LESSONS to NBC and, through the Disney Writing Program, was staffed as a writer on Hulu’s REASONABLE DOUBT, where he wrote and produced the second season finale.
Ideal Mentee: A drama screenwriter looking to break into television.
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Monica Sorelle is a Haitian-American filmmaker and artist born & based in Miami. Her work centers on cultural preservation, alienation, and the lived experiences of diasporic communities.
Monica’s feature directorial debut, Mountains, had its world premiere at Tribeca Festival, where it was awarded a Special Jury Mention in the U.S. Narrative Feature competition. Mountains later had its international premiere at TIFF, and went on to receive awards from numerous festivals such as BlackStar, Miami Film Festival, and Indie Memphis. Mountains was nominated for two Film Independent Spirit Awards, with Monica receiving the Someone to Watch Award.
Ideal Mentee: An independent filmmaker working on a feature or short in the drama or comedy space.
FREQUENTLY ASKED QUESTIONS
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We are are looking for mentees who can display a high level of commitment to their craft, have a goal within a specific project they will work towards during the program and are seeking a similar career path as their mentor.
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The ideal candidate is an emerging filmmaker. If you are brand new to filmmaking or don't have any past work to submit in your application, we recommend that you wait for future programs to apply. We're looking for filmmakers that have completed a project whether it's a script, edited a short, acted in shorts, directed a film, shot branded content specs, etc... Mentees will be selected based on quality of their past work, have a goal within a project they are working towards during the program and how committed they are to improving their craft.
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We will pair mentees as close as possible to the career path of the mentor. It doesn't have to be exact, but in the ball park.
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The Mentee orientation is on Monday, June 23rd and Mentees will be connected with their Mentors on June 24th and the program ends on December 12th. This means Mentors/Mentees will meet with each other (6) times and the mentor will give one round of feedback on the Mentee’s work before November 22nd.
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Your project does not have to be 100% complete by the end of the program. However, we are looking for mentees who have a specific goal within their project that they will be complete by the end of the program. For example: shoot 10 interviews for your documentary, edit two cuts of your short film, complete 2nd draft of TV Pilot, etc…
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At the minimum, success looks like the mentee completing their goal with the guidance of the mentor and having their questions answered with regards to improving their craft and navigating the industry. At the beginning of the program, each mentee will fill out a sheet to track their progress on their goal and to help facilitate conversations with their mentor. In addition, mentors and mentees may continue their relationship beyond the program.
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No, the project can be in collaboration with another filmmaker or you can be commissioned/in agreement to work on someone else’s project. However, you do need to have a goal that is aligned with the timeline of the program.
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Links to past work (Reel, Scripts, Completed Shorts, etc...)
Links to the project you'll be working on during the program (Scripts, Deck, Outline, Treatment, Rough Cut, or letter of intention describing what you’ll be working on)
Your resume
A personal statement
A headshot
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Mentees will be connected with each other via our Membership Platform as well as through e-mail to coordinate 1:1’s with each other. Mentees are required to have 30 minute 1:1 with all other mentees.
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Free access to:
Apply to our exclusive grants and pipeline programs
Our monthly virtual panels
Our Screenwriting Workshops
Discounts and invites to exclusive screenings
Our recorded webinars
Our directory/community threads and much more!
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Yes, but you must make yourself available to meet with your mentor. Our mentors are based in East Standard Time and Pacific Standard Time. If it's not realistic for you to make yourself available, we recommend that you apply for future mentorship programs.
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Log into our membership portal. The application can be found on the community sidebar.
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You may only submit one application, but you can indicate interest in being paired with multiple mentors. That said, we recommend prioritizing based on your strengths and the direction you’d like to take your career.
For example, if you work on both fiction and documentary projects, we recommend applying with the format you’re most focused on right now or most eager to grow in—this helps us make the best match possible.
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Please attach links that are accessible to the public or password protected links.
We Transfer Links or links that require permission to be accessed, may disqualify your application.
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